OVERRATED Mixing Tricks Making You Sound Amateur
Most mixing tricks should be avoided if you want actual pro-level results. Are you using sidechain compression? What about stereo widening? Getting a little carried
Most mixing tricks should be avoided if you want actual pro-level results. Are you using sidechain compression? What about stereo widening? Getting a little carried
After running my YouTube channel over the last few years and as a guitarist myself, I’ve spotted some obvious patterns among us guitarists that self-record
You wanna know what really grinds my gears when it comes time to mix heavy bass?: Having a bass tone that sounds KILLER in
In part 3 of this 6-part video series, Cameron Fleury shares his killer home studio setup for recording metal drums. The song we wrote
Mixing EZdrummer and amp sim plugins that sound professional can seem impossible. I’d say it’s pretty safe to assume that when most people think of
Learn exactly how I mix heavy guitar and bass tracks within a home recorded track. In Part 1 of this 3-part series, we dove deep
What’s the best way to mix heavy drums at home? Meaning, drums NOT recorded out of a high-end pro studio. This is part 1 of
Simple EQ moves can go a long way as far as mix clarity is concerned. Getting your various tracks tracks playing nicely together within a
You can mix metal drums in Reaper with absolute ease IF you have a simple roadmap to follow. Drum mixing can seem so overwhelming when
Join me for a full studio tour of my home away from home, Frightbox Recording. People often ask me: “How big is your drum room?
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My name is Bobby Torres and I’ve been a full-time audio engineer/producer/mixer within the metal and hard rock genres for well over a decade.
I’m on a mission to put an end to all of the false information that leads aspiring producers and mixers down a never-ending path of confusion, wasted money, wasted time and very little progress.
You will also be subscribed to my weekly newsletter with my latest metal mixing tips. You can unsubscribe at any time.